Introduction
The phrase “Así en la tierra como en el infierno,” meaning “As above, so below,” is a profound concept, echoing through centuries of philosophical and spiritual thought. This maxim, rooted in Hermeticism and embraced by various mystical traditions, posits a fundamental mirroring of the universe. The earthly realm reflects the celestial, and, conversely, the hidden truths of the spiritual world influence the material reality we experience. It’s a concept that suggests that everything is connected, that the macrocosm mirrors the microcosm, and that understanding one can lead to a greater understanding of the other. This exploration of dualities provides a lens through which to examine the human condition, our struggles, and the potential for transformation.
This article will delve into the themes of duality and hidden truths within the context of the film “As Above, So Below” (2014), directed by John Erick Dowdle. This found-footage horror film masterfully utilizes the concept of “Así en la tierra como en el infierno” to create a compelling narrative about the search for lost knowledge and the terrifying parallels between the physical world and the spiritual underworld. It skillfully portrays how human ambition, fears, and sins manifest in a literal descent into hell, the hidden labyrinth beneath the streets of Paris, France. “As Above, So Below” compels us to reflect on our own earthly existences and the potential echoes of our actions in a realm beyond our immediate perception.
Overview of the Film
The film, which follows a group of ambitious explorers, is a gripping adventure into the depths of the Parisian catacombs, a network of ancient tunnels that hold the remains of millions. Led by Scarlett Marlowe, a young academic driven by her late father’s work and the legendary philosopher’s stone, the team embarks on a treacherous journey seeking to unlock secrets hidden within the catacombs.
They are not simply exploring a network of tunnels; they are descending into a psychological and spiritual labyrinth. As the team delves deeper, the environment shifts from the earthly to a nightmarish reflection of their personal histories and hidden fears. The catacombs morph, walls shift, and the very fabric of reality seems to unravel, embodying the film’s central concept: as it is on earth, so it is in hell.
The catacombs are not just a physical location; they are a symbolic representation of the subconscious, the spiritual realm, and the human soul. The deeper the characters venture, the more their personal demons begin to surface, manifesting in their surroundings and interactions. This mirrors the idea that our inner world is as complex and potentially dangerous as the external environments we traverse.
Exploring the “Así en la tierra como en el infierno” Concept
One of the most striking features of “As Above, So Below” is the way it visually portrays the mirroring of the two worlds. The film expertly uses the claustrophobic and disorienting nature of the catacombs to mirror the internal states of the characters. As the team struggles, the tunnels become increasingly chaotic and distorted, mirroring the characters’ deteriorating psychological states. This distortion is achieved through clever use of camera angles, shaky camerawork typical of the found-footage genre, and the manipulation of space. Narrow corridors become labyrinthine mazes, and familiar landmarks transform into menacing threats, making the viewer feel as lost and disoriented as the protagonists.
The film doesn’t just tell us about the connection between the physical and spiritual; it shows it. For example, the team’s attempts to escape from certain situations are often mirrored by the failures in their pasts. The secrets, the traumas and the mistakes that once weighed upon them, now appear as physical obstacles that block their path.
The symbolism within “As Above, So Below” is rich and multi-layered, reinforcing the core concept. The recurring symbol of the pentagram, the five-pointed star, is particularly important. The pentagram itself represents the microcosm of humanity and the elements that make up human beings: spirit, air, fire, water and earth. The film utilizes it in a number of ways, from the structure of the environment, to its use by certain characters, which highlights its importance in the symbolism and concept of As Above, So Below. The philosopher’s stone, which is the central goal of the protagonists, represents the ultimate achievement of alchemy—the transformation of base metals into gold, also symbolizing the potential for spiritual transformation. The search for this legendary artifact represents the characters’ quest for truth and enlightenment, mirroring the spiritual journey of self-discovery. The use of the specific environment, the catacombs, where the film takes place, and their historical use, are also incredibly symbolic of the concept. These tombs were used as places of rest, and were filled with bones of the deceased, the final resting place for many, and are also a physical representation of the journey from life to death.
Themes and Interpretations
The character arcs of the individuals in “As Above, So Below” are crucial to understanding the film’s message about “Así en la tierra como en el infierno.” Scarlett Marlowe, driven by her father’s obsession with the philosopher’s stone, undergoes a significant transformation. Throughout the film, Scarlett is defined by her ambition, intelligence, and relentless pursuit of knowledge. However, as she confronts the horrors of the catacombs, she must confront her own inner darkness. This inner darkness, previously hidden, manifests itself in the form of past events and unresolved conflicts from her past. The challenges within the catacombs reflect her flaws, pushing her to the limits. Similarly, the other characters must face their own “demons,” represented by distorted reflections of their worst fears and past sins. Their individual journeys underscore the film’s central theme: that confronting our inner darkness is essential to finding peace and a greater understanding of the self, mirroring the challenges faced in a metaphorical descent to the underworld. The challenges they face in the catacombs become mirrors of the struggles they have faced in their lives.
The search for knowledge, which is the driving force behind the protagonists’ exploration of the catacombs, is also deeply tied to the “Así en la tierra como en el infierno” concept. As the team searches for the philosopher’s stone and the secrets of the catacombs, they also, unknowingly, embark on a spiritual journey. This journey is not merely about finding a physical object; it is about uncovering the hidden truths of the human condition and the mysteries of the universe. The film suggests that true knowledge comes not just from external sources but also from facing one’s inner self. The challenges they confront in the catacombs are tests of their character, forcing them to re-evaluate their beliefs and motivations. As a result, they learn invaluable truths about themselves and the nature of reality, just as in the concept “As Above, So Below,” the exploration of the deeper meanings of our lives can lead to a revelation.
Humanity’s struggles, fears, and desires are also central to the themes portrayed in “As Above, So Below.” The film explores the characters’ fears of failure, death, loss, and guilt. The catacombs, representing a sort of hell, is the place where these fears manifest physically, becoming tangible and terrifying. The characters’ desires for love, connection, and acceptance are equally present in the film. They are confronted with past mistakes and opportunities missed, revealing the lasting impact of their actions. These emotional struggles are directly reflected in the environment, the imagery, and the narrative structure of the film, providing the viewer with an intimate experience of the character’s fears and desires.
The film effectively uses the duality between the physical and the spiritual, the conscious and the subconscious, good and evil. The characters encounter not only the horrors of the physical environment but also the haunting reflections of their inner selves. The “inferno” of the catacombs provides a visual representation of the characters’ moral failings, which can be equated to the seven deadly sins. Each one of the protagonists have flaws and make mistakes that are highlighted throughout the film, and reflect their true selves. The film, in essence, encourages the viewer to consider the dual nature of existence, which suggests that what we see and experience in the world around us is only a reflection of a more profound and complex reality.
Visuals and Atmosphere
The visual elements in “As Above, So Below” are crucial to creating an atmosphere of dread and disorientation. The setting, the claustrophobic catacombs, is a perfect embodiment of the “Así en la tierra como en el infierno” theme. The dim lighting, the narrow corridors, and the labyrinthine structure all contribute to a sense of being trapped in both the physical and spiritual sense. The use of the found-footage technique heightens the sense of realism, making the horror more visceral and immediate. The camera’s movement and the close-ups of the characters’ faces amplify their fear and vulnerability, creating a powerful emotional connection with the viewer, making us feel immersed in the experience.
The atmosphere, dominated by suspense, horror, mystery, and claustrophobia, plays a crucial role. The film’s atmosphere is critical for setting the tone, it is what makes the viewer feel uncomfortable and brings them on the journey. The sense of disorientation and the relentless feeling of being lost in the dark creates a sense of suspense that grips the viewer from the very beginning. The horror elements, from the unsettling imagery of the bones to the supernatural encounters, contribute to the film’s dark and brooding atmosphere. The atmosphere, created by the director and the way he presents the material, makes us think about “Así en la tierra como en el infierno,” the mirroring of these realms and how they come together in the film.
Conclusion
In conclusion, “As Above, So Below” presents a compelling exploration of “Así en la tierra como en el infierno.” The film’s narrative, rich symbolism, character development, and innovative visual style work together to create a profound commentary on the human condition. Through the characters’ descent into the catacombs, the film highlights the interconnectedness of the physical and spiritual realms, the importance of self-reflection, and the duality of human nature.
The legacy of “As Above, So Below” lies in its ability to provoke thought. It challenges viewers to reflect on the potential parallels between their own lives and the unknown. It suggests that our actions and internal struggles have ramifications beyond our immediate reality. The film reminds us that to truly understand the world around us, we must first confront the depths within ourselves. It also offers a timely message that in order to progress on the earthly realm, we must first know ourselves, and then the journey of self-discovery and personal growth begins. It’s a film that leaves a lasting impact, inviting us to consider the enduring mysteries of the universe and our place within it.
